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Featured Wineries

Defying Expectation

Independent. Focused. Confident. Determined.

These are all characteristics of the fictional character Clementine Carter, who was Doc Holiday’s one-time love interest in the iconic Western “My Darling Clementine.”

Those same attributes best describe Sonja Magdevski, who drew inspiration from that film for her winery bearing the same name in Los Alamos.

 To say Magdevski has crammed many lifetimes into just one might be an understatement. Her family emigrated from the former Yugoslavia – now known as North Macedonia – and landed in Michigan where Magdevski learned the meaning of hard work and what it meant to run a business with her family owning two ice cream parlors and two dry cleaners.

She earned a political science degree from the University of Michigan, went to grad school at Michigan State University studying journalism and received a Fulbright scholarship.

While her lofty goal was to bring world peace, she took a pause and came to California and her life took an unexpected and fortunate direction.

She worked in a flower shop during what was initially a temporary stay in California as she was finishing her thesis and helped plant a small vineyard in Malibu, which helped lay the foundation of what was to come.

“We approached it from the ground up with no real expectations,” she said. “There was this garagiste group that shared ideas and how to best approach winemaking. It was really fun.”

Before too long, Magdevski found herself in the Santa Barbara region, more specifically in the charming Los Alamos hamlet where one of her friends lived. She also enrolled at nearby Allan Hancock College where she received a scholarship from the Orange County Wine Society that helped her budding interest in wine.

As Magdevski puts it, “I just kept saying yes. I was piecing together my existence, working in restaurants, writing and making wine. There was a spot available in town and I committed to open a tasting room. It was serendipitous.”

Magdevski ended up opening Casa Dumetz in 2011 that primarily focused on Pinot Noir from Santa Rita Hills. A couple years later, she moved down the street to a larger location and not only ran a tasting room but she opened a brewery next door affectionately named after her grandmother.

For some entrepreneurs, running a business can be downright frightening but for Magdevski she was emboldened by the challenge.

“Committing is total freedom,” she said. “You are more of the mindset of ‘how do I survive today?’ Everything can be hard but it’s about finding solutions and keeping true to yourself that helps keep a business like this open.”

So does it come as any surprise that a self-proclaimed fan of Westerns eventually became a Rhone Ranger?

The winery today as Clementine Carter explores the range of Rhone varietals from Santa Rita Hills and elsewhere in the region. She is encouraged and excited by the unique expression and distinction of varietals such as Grenache and Mourvedre. Her 2023 Grenache recently scored a 92 by Wine Spectator.

She also makes a GSM blend she dubbed “The Feminist Party,” which pays tribute to collaboration and radical inclusion.

“Wine is about discovery. If you don’t plant that plot you don’t know if it’s suitable for winemaking,” she said.

The winery produces about 2,000 cases a year and can be found in Texas, Florida, Washington, D.C., and even Hawaii.

Magdevski points to photos of family who immigrated from what is now known as North Macedonia.

Stepping into Magdevski’s tasting room, feels more like walking into someone’s home rather than a storefront. Family photos adorn a wall and mosaic tiles wrap around the room. As she notes in her vision statement: we “share our work in the most welcoming environment for all.”

She also takes it one step further by hosting a speaker series that brings people from all different walks of life to share their experiences. Magdevski also gives back through scholarships to college-bound seniors from Los Alamos where she provides financial support with the help of matching funds from a silent wine club donor for a total of $4,000. She also donates extensively to many Los Alamos and Santa Barbara-based organizations, such as the SBWomen Winemakers & Culinarians, an organization that fosters education, mentorship and collaboration in the culinary and wine industries.

Today, Magdevski is married to Greg Brewer of Brewer-Clifton fame for almost 10 years where they share a collaborative spirit in the business.

Magdevski is excited about what the future holds for Clementine Carter and she hopes more people encounter wines from Santa Rita Hills so they too can join in the excitement.

“Trying new things is not scary for me,” she said. “My risk tolerance is pretty high. I’m just getting started.”

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President's Message

President’s Message

By Fred Heinecke

There are big things going on for the 50th anniversary at The Courtyard. We are about three months away from the July 17opening day and I want to take this time to give some insight about The Courtyard and what goes into the preparations for our biggest fundraiser.

The Courtyard Committee has already started meeting to look at our set-up (Leslie Hodowanic and crew), wine offerings, changes to pricing, shifts and scheduling (Rich Skoczylas and Sue England), training for stewards and servers (Helga Hrowal and Maia Pehrson), cashier training (Cheryl Knapp), the fabulous Featured Winery Program (Liz and Lloyd Corbett) and the very popular wine seminars (Sara Yeoman and Ed Reyes). Carolyn Christian and the
Marketing Committee make sure that The Courtyard is well publicized and gets maximum social media exposure from June to August.

The biggest change for 2026 will be the new point-of-sale cash registers. Cheryl Knapp researched the available POS computers and Toast was selected as our provider. These POS devices are used by many local restaurants. Cheryl is putting together a new training program and the registers will be in use for this month’s auction.

Behind the scenes year-round we have Fran Gitsham, as our Fair Liaison, working to solidify contractual obligations with the fair, along with assuring compliance with governmental, safety and health agencies. As you can see, The Courtyard is no little feat to accomplish, and it takes commitment from an amazing group of dedicated volunteers without whom we would not have the successful operation we do!

As I mentioned before, The Courtyard is by far our biggest fundraiser. In 2025, the sales for the 23-day fair were at a high since COVID; that income for the Orange County Wine Society affords us the opportunity to run the OC Fair wine competitions. In addition, the Featured Winery Program generated $21,596 for the OCWS Scholarship Program and the donation jars added $14,768.

We go through a lot of wine. Bill Redding orders wine during the run of the fair to augment the wines from the Commercial Competition. That includes the premium wines, Champagne splits, wines for the Express Bar and varietals that are running dry. To give a better picture of the magnitude of our total sales, that translates to over 26,000 glasses of wine, 20,000 tastes and 50 cases of Govino glasses.

Not only does The Courtyard help fund the OCWS for the year, it is a vehicle for the OCWS to meet its missions of scholarship (now totaling over $1,000,000), viticulture and wine appreciation. Each time a volunteer interacts with a fairgoer, we have the opportunity to share wine experience and knowledge. Spending time at the award tasting bar expands that opportunity tenfold.

Now, with that said, I hope you are anxious to volunteer. April is the month to sign-up for shifts at The Courtyard, and Rich and Sue have an article with all the dates, times and volunteer information.

I look forward to seeing you at The Courtyard this summer.

Categories
Courtyard Volunteer

The Courtyard Sign-ups Begin This Month

Ensure that your mailing address (OCWS website, My Profile) we have on file is correct to receive Courtyard information and fair credentials. A Responsible Beverage Server (RBS) Certification is required to sign up and work at The Courtyard. Please make sure your RBS certification is completed before sign-ups start so you can be confirmed for […]

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Categories
Recipes

Winning Recipe: Carol Shelton Black Magic Cupcakes

INGREDIENTS

1 box Betty Crocker chocolate
fudge cake mix
1/4 cup water (warm to bloom chocolate
and Zin)
1/2 cup canola oil
3 eggs (room temperature)
3/4 cup Carol Shelton Black Magic Late
Harvest Zin
Frosting
2 cups powdered sugar
3 tsp. cocoa powder (I use Ghirardelli)
1 stick of butter (room temperature)
1/4 cup Carol Shelton Black Magic Late
Harvest Dessert Wine

INSTRUCTIONS

  • Preheat the oven to 350 degrees
    (for dark, non-stick pans) or 375
    degrees for shiny metal pans). Add
    cupcake liners or grease bottom and
    sides of the cupcake pans.
  • Combine cake mix, water, oil, and
    eggs in a large bowl. Beat with a mixer
    on medium speed (or vigorously by
    hand) for 2 minutes.
  • Pour into pan and bake 14 to 19
    minutes. Let cool.
    Frosting
  • Sift powdered sugar to remove
    lumps.
  • In the bowl of electric mixer, beat
    stick of butter, powdered sugar and
    cocoa powder until smooth.
  • Frost cupcakes and serve.
    —Recipe courtesy Donna Hisey
Categories
Education Wine Education Wine Wisdom

So……. What’s the difference between Sauvignon Blanc and Fume Blanc? 

Some say the name was changed from Sauvignon Blanc to Fume Blanc because Fume Blanc was an easier name to pronounce. Others say vintners simply used the name they thought customers would like best and therefore would be more likely to buy. Still others say it was a stroke of marketing genius. They are referring to Robert Mondavi, a winemaker, winery owner and a name now synonymous with fine wine from Napa Valley. In the late 1960s Robert Mondavi perceived Sauvignon Blanc to be a bland, uninspiring varietal so he oaked it, in other words, he created a Sauvignon Blanc style that was oak-aged giving it a soft smoke and flint taste. This oak-age is typically obtained by using “neutral” or older blanc oak barrels that are also referred to as white American oak barrels which have been used multiple times, so they do not impart intense flavors of vanilla or toast.

To set his oak-aged Sauvignon Blanc apart, Robert Mondavi essentially rebranded his Sauvignon Blanc by naming it Fume Blanc. He borrowed Fume from Pouilly-Fume, in reference to Pouilly Fume from the Loire Valley. Fume means smoke in French, and “Blanc,” is the French word for white. The term Fumé Blanc, coined by Mondavi, completely changed the perception of Sauvignon Blanc in America and signaled a new, more serious style of Sauvignon Blanc. For decades the term Fume Blanc has been used by wineries in California and Washington to market Sauvignon Blanc and differentiate a style of wine made with oak ageing.

Because Robert Mondavi did not trademark the term Fume Blanc, others could use it and use it they did. For example, the Dry Creek winery calls their Sauvignon Blanc Fume Blanc, yet they do not oak-age their Sauvignon Blanc. Today, Sauvignon Blanc and Fume Blanc are considered synonymous. In addition, today fewer Sauvignon Blancs are labeled Fume Blanc due to changes in the market and marketing.

So, is there a difference between Sauvignon Blanc and Fume Blanc? Both are made from Sauvignon Blanc grapes, yet one answer is, it all comes down to the winemaker’s intention and style.

Sauvignon Blanc is used to produce some excellent white wines, ranging from the light and flinty wines of Sancerre and Pouilly-Fume grown in the Loire Valley, to the pungent and grassy varietal wines of Australia and New Zealand, to the light smokey or tropical tastes from California.

Old World versus New World

In general, Sauvignon Blanc grown in Europe is referred to as Old World and Sauvignon Blanc grown in other countries such as the United States, New Zealand and Australia is referred to as New World.

Color – Old World Sauvignon Blanc has a pale yellow-green to straw yellow color while New World Sauvignon Blanc has a bit darker color.

Aroma – Old world Sauvignon Blanc has an aroma of subtle earthiness, mostly grassy herbaceous fruit of lime and tart apple. New world Sauvignon Blanc has a lush bold fruit character aroma of melon, pear and peach. Sometimes a whiff of the pungency of grapefruit or lime is detected.

Taste – Old World Sauvignon Blanc has a taste of tart, tangy, sour apple with a bit of subtle earthiness while New World Sauvignon Blanc (grown in a warmer climate) has a taste of richer, riper, peach and melon with a little streak of citrus pungency if grown in a slightly cooler climate.

Sauvignon Blanc FUN FACTS:

  • The first Friday in May is International Sauvignon Blanc Day (so don’t forget to celebrate with a glass!).
  • Sauvignon Blanc is one of Taylor Swift’s favorite wines. She enjoys it for its crispness.
  • One of the oldest Sauvignon Blanc plantings in the U.S. is at the Robert Mondavi Winery in their To Kalon Vineyard.
  • Sauvignon Blanc is one of the parents of Cabernet Sauvignon (the other is Cabernet Franc).
  • When a recipe calls for dry white wine, a good quality Sauvignon Blanc is an excellent choice due to its vibrant acidity. Its fresh and light herbal flavor works best for a range of dishes.
  • The name sauvignon comes from the French sauvage meaning wild which is how the vines will grow if unattended.  
  • Sauvignon Blanc is the grape that focused world attention on New Zealand which produces green but light tropical fruit flavors.
  • Sauvignon Blanc originated in the Loire Valley in France. The name “sauvignon” is derived from two French words: sauvage (wild) and vigne (vine). In France, Sauvignon Blanc is a wild growing plant and the shape of its leaves are like those of wild grapevines.

There is no question that Robert Mondavi rooted Fume Blanc as a classic American white wine. With that in mind, don’t wait for International Sauvignon Blanc day in May, raise a glass now and celebrate not only a wondrous wine, but how with a vision, a winemaker changed the destiny of a grape varietal – wow if that doesn’t make you thirsty…

—Linda Flemins,
Wine Education Committee co-chair

Categories
50th Anniversary History Members Corner

Orange County Wine Society Newsletter Through the Years

  

The first Orange County Wine Society newsletter started with an April 1981 publication entitled Free Run. The inaugural issue (Volume 1, Number 1) stated the newsletter’s intention: ‘It is our intention that the Free Run will keep you aware of meetings, activities, goals and accomplishments of the Society.’

In this first publication there was also an article addressing how the name Free Run was chosen. The organization offered an opportunity for their membership to name their newsletter by conducting a contest. The explanation of the name selection was stated as, “We feel it represents one of our Society goals, the free flow of information about wine appreciation, winemaking and California wines.” 

Although it was only one page, the first Free Run newsletter presented a brief history of the OCWS; an advertisement of an upcoming Home Winemakers Competition; the mention of a Heitz Cellars wine tasting lead by Joe and Alice Heitz; and coverage of a “Marriage of Food and Wine” gathering at Stox II restaurant presented by Mike Grgich, of Grgich Hills Winery. Finally, there was an offer to members to buy a vehicle license plate frame with the message, “Everything’s Fine With WINE” for just $7.50 plus $1.00 for shipping.

After the initial 1981 publication, Free Run reappeared five years later in April 1986.  Jane Goodnight was the publisher and Ronnie Johnson and Nicole Smith were the editors. This second publication covered OCWS’s 10-year anniversary; impressive membership growth from 19 members in July 1976 to over 500 members in April 1986; and a confirmation of the organization’s basic philosophy: to promote the understanding and appreciation of wine, winemaking and viticulture. In addition, the second publication included an “Orange County Fair Exhibit” article that covered the “Jump on Over” theme and OCWS’s co-sponsorship of the Orange County Fair Commercial Wine Competition.

In the mid-1980s once again the membership was asked to name the OCWS newsletter. A contest was held to name the newsletter and the contest winner, Diane Block, was recognized in January 1989 for her prize-winning name, The Wine Press, which still exists today. It was about this time that John Goodnight, a 12-year OCWS  board member (Past President and Treasurer for eight years) took over the newsletter publishing from Sharon Spaulding, Secretary on the Board. Prior to John taking over the newsletter, it was not printed consistently. John wanted to make sure that The Wine Press was printed once a month and that came to fruition. In addition, under John’s watch, graphics from The Wine Press won numerous OC Fair ribbons including the Blue Ribbon First Place and a Best of Show award for the Extraordinaire Program.

John reflected that preparing the newsletter was a monumental task. Articles would be prepared using a Word file then cut and pasted on to “paste-up boards.” The newsletter had four pages of double-sided content and they kept the newsletter to about 8 to 12 pages. John led the preparation of The Wine Press for 17 years – quite impressive.

John consistently included a joke page in the newsletter that was comprised of cartoons and light humor sourced from the web. One person complained to the board, so an article appeared on how a vote was taken resulting in a landslide for keeping the joke page.

A not-so-fun fact was how several times, since the cost of postage kept going up, membership dues had to increase to cover the cost of newsletter printing and postage.

The importance of the newsletter cannot be underestimated. Over the years, not only did The Wine Press keep members aware of meetings, activities, goals and accomplishments but it also assisted in encouraging membership renewal.

Finally, The Wine Press has served as an educational vehicle for sharing the wine knowledge of many members. Today, you can read The Wine Press online and in living color on the website, so take some time to enjoy.

Categories
Members Corner Photo Contest

Photo Contest & Event Candids

Where Spring Meets the Vine
April has arrived and spring is in full swing. The vines are waking up, patios are filling up, and wine always seems to taste better in the fresh air. Capture your April wine moments—whether it’s a relaxed patio pour, a vineyard visit or a quiet glass at sunset. Wherever wine finds you this month, we want to see it.
Each month, the OCWS Photography Committee selects a Photo of the Month featured in the OCWS newsletter and showcased on our website. The winner also will receive a special bottle from the OCWS cellar!
THEME: Wine, Any Way You Pour It
SUBMIT TO: Photo@OCWS.org
RULES: OCWS.org, News, Photos

Wine, Friends & Memories
Feel free to snap some fun, candid moments and share them with us—we’d love to see the event through your lens! These photos are separate from the Photo of the Month Contest (no prizes), but they may be featured in our marketing or on social media. It’s a great way to share your perspective and capture the spirit of our OCWS community.
REMINDERS:

  • By submitting, you grant OCWS rights to use your photos for marketing.
  • Only submit photos that are your own.
  • Send your shots to photo@OCWS.org.
    Let’s celebrate the good times we share.
    A big thank you to everyone who shared their photos. While not every entry can win each month, submissions may be carried over and considered for future features. Keep them coming!
    —Hank Bruce, Arnie Gamboa, Leslie Hodowanec and Sue England,
    Photo Committee

Categories
Featured Member Members Corner

Built for the Bottle

What’s it like for someone who is fortunate enough to blend his love of wine with an occupation of building custom wine cellars?

Just ask Jason Scott who joined the Orange County Wine Society last summer.

The former medical sales representative and a DIY guy landed an opportunity to work in the wine industry when he was hired at Vintage Cellars, a company headquartered in San Diego, which builds luxury wine cellars in a variety of styles, spaces and applications.

Whether the design is traditional, contemporary or modern – or something more unique – the company, which just celebrated its 35th anniversary , works to bring a client’s vision to life.

“Basically we’re making a very large refrigerator and it has to work,” Scott said. “There are so many different options and it really comes down to aesthetics versus capacity.”

Scott, who grew up in Orange County, has been with the company for about five years and has seen a wide array of wine cellars across Southern California. The job is more of a hybrid of sales and design, while dealing with probably the most challenging part of the job – explaining the cost to customers.

“The biggest challenge is having them understand the cost,” he said. “It’s fitting the cellar to what they want and can afford. It’s that expectation and trying to match it to reality.”

Scott said the average cost of a cellar designed and built by his company is around $50,000, but added cellars can be built for less, depending on the space. And for those with no budget … the sky is the limit!

Scott recalls a cellar in Newport Coast that cost $500,000 and another in Rancho Santa Fe that had a 10-foot-high wine wall that was modern and had space for the owner’s magnum bottles. The company also works with wineries who need their own cellar space. Scott said Vintage Cellars is working with Paso-based Daou Family Estates, which has purchased land in southern Tuscany.

Frequently in the higher end homes, Scott says some of his customers don’t care as much about the wine but they know having a wine cellar will help boost a home’s eventual resell value. “It’s kind of expected for certain types of homes,” Scott said

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Commercial Competition Volunteer

President’s Message

By Fred Heinecke

The 50th annual Orange County Fair Commercial Wine Competition is fast approaching. This marquee event is put on by us, the Orange County Wine Society. The judging will be held May 30and 31 at the Costa Mesa Hilton. Many members volunteer for this huge event that will feature around 2,500 entries with about 100 wine professional judges in panels of five to taste the entries.

There are miles and miles of effort that goes into the logistics of this behemoth event. But the real magic is how all the entries show up in brown paper bags just in the right box and in the right order for the correct judging panel.

The footwork for this near impossible outcome is done by the cataloging crew, headed by Teri and John Lane with past crew chiefs Liz and Lloyd Corbett. The wineries enter their wines online and then ship the entries to the OCWS office. There is no fee to enter; the wineries only need to ship six bottles (yes, you counted right, that is 15,000 bottles of wine to deal with).

The cataloging crew labels each of the six bottles with the correct entry category and a letter A-F. This means, for example, they must know if the 80% Cabernet Sauvignon, 15% Merlot and 5% Malbec goes in as a Cabernet Sauvignon varietal or as a Meritage (this may take a telephone call to the winemaker to confirm their desired category). After the wines are labeled, they are sent to a correctly numbered and lettered box for temporary storage. The A and B boxes are the boxes for the Commercial Wine Competition. The A boxes are for serving the tastes to the judges and the B boxes are transported to the hotel to be available if a bottle has a fault such as a bad cork. Each year we use a handful of the B bottles.

All the boxes are double checked to confirm all the bottles are in the correct box. With the help of the Commercial Competition computer program, the pouring orders are set up with varietals and residual sugar content and new box labels are printed.

During the week before the competition volunteer crews place the 2,500 or so bottles into the labeled paper bags and get them into their final box that is labeled with the panel number and the day it will be served. On Friday, the 5,000 A and B bottles are transported to the hotel and end up on the correct steward table.

If you want to have some fun, meet other members and interesting wine makers and be amazed how it all comes together, volunteer for the 50th annual Commercial Wine Competition.

Categories
Mini Tastings

South American reds clearly dominate

The results from the Jan. 31 Mini Tasting are in, and it was a dominant night for South American reds. The competition was fierce among the 10 featured wines, but Domaine Bousquet Cabernet Sauvignon from Argentina emerged as the clear victor. Sweeping the board with the top vote in five of six host sites.

Our panel of expert judges were able to identify the crowd-pleasing profile that balanced Argentina’s signature ripeness with the structure of a classic Cabernet.

Taking the second-place silver was another Argentine standout, the El Enemigo Cabernet Franc, which finished five of six sites identifying this wine as their second favorite. This result highlights the rising popularity of Argentine Cabernet Franc, known for its herbal complexity and elegant tannins.

Rounding out the podium in third place was the Nautilus Sauvignon Blanc from New Zealand which was the highest rated white wine of the evening, narrowly edged out the Australian Filius Cabernet Sauvignon by just one point. The Nautilus, is praised for its bright acidity and “textural component,” providing a refreshing counterpoint to the heavier reds that led the pack.

Warranting a mention is the South African Chardonnay from Glenelly, which was the only wine other than the Domaine Bousquet to receive top honors at a host site.

As is typically the case with our group, each of the 10 wines were enjoyed and recognized across the six host sites. Despite the variety of regions represented—from the Uco Valley to Marlborough—the evening ultimately belonged to Argentina, which claimed the top two spots and reaffirmed its status as a powerhouse for bold, high-scoring varietals.

 I hope everyone enjoyed our little trip around the world. While these wines featured grapes we know well, their unique terroir, altitude, and cultural history should have made them feel simultaneously familiar and entirely new. 

—Don Mayer, OCWS Mini-Tasting Chair